Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Tintoretto
The Painted over portrait of Marino Falier,Sala del Maggior Consiglio

ID: 41130

Tintoretto The Painted over portrait of Marino Falier,Sala del Maggior Consiglio
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Tintoretto The Painted over portrait of Marino Falier,Sala del Maggior Consiglio


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Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.  Related Paintings of Tintoretto :. | The Origin of the Milky Way | Moses schlagt Wasser aus dem Felsen | Portrait of a Venetian admiral. | Vulcanus Takes Mars and Venus Unawares | St Jerome |
Related Artists:
Luigi Mussini
Italian , Berlino, 1813 - Siena, 1888
Francois Boucher
François Boucher (29 September 1703 - 30 May 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, intended as a sort of two-dimensional furniture. He also painted several portraits of his illustrious patroness, Madame de Pompadour.
Stefano Ussi
Italian, 1822-1901,Italian painter. He received his formal training at the Accademia delle Belle Arti in Florence (1837-50, expelled 1838-40) under Tommaso Gazzarini (1790-1853), Pietro Benvenuti and Giuseppe Bezzuoli. In 1854 he won a scholarship to study in Rome and for several years worked on the large-scale painting that established his reputation, the Expulsion of the Duke of Athens from Florence






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